Some quick thoughts on movies I watched last month, followed by lists of my current favorite films and performances of the year so far.
- an asterisk (*) indicates a first time viewing
And here's a playlist featuring music from the movies listed below for you to enjoy while you read...
Dead Man's Wire (2026)*
A pretty good little movie that feels like it could have been a pretty great little movie if they'd sorta fleshed out the middle of it a bit more. Man, Bill Skarsgård sure likes to play dudes who seem like they have snapped or might snap any moment.

Backrooms (2026)*
Hi, it's your boy, the number one* fan of liminal spaces on screen logging on. Sure, anytime the word "architect" is uttered on screen, it had me thinking of George Costanza claiming to be one named Art Vandalay; and maybe some of the therapy stuff seemed a bit undercooked in a way you might expect from someone who is still but a fetus of filmmaking... But those were minor blips that, rather than causing any real aggravation, more just made me smile to myself a bit. Overall, this movie is 100% my shit and the fact that it was made by a 20 year old is certainly impressive, but it would be an impressive film from any filmmaker working in this space (pun not intended).
*Not actually number one, but I dig 'em a lot and use them in my own work.

Master and Commander: The Far Side of the World (2003)
o c e a n s a r e n o w b a t t l e f i e l d s .
O c e a n s A r e N o w B a t t l e f i e l d s .
Oceans. Are. Now. Battlefields.
OCEANS. ARE. NOW. BATTLEFIELDS.
OCEANS! ARE! NOW! BATTLEFIELDS!
OCEANS ARE NOW BATTLEFIELDS!
OCEANS ARE NOW BATTLEFIELDS!!!

Wallace & Gromit: Vengeance Most Fowl (2024)*
Finally, someone had the guts to say that garden gnomes are little fucking creeps!

Kpop Demon Hunters (2025)*
We waited to watch this until we thought our daughter might be able to handle it and she is now obsessed. And I get it... it's good!

Zodiac (2007)
After my last couple of watches, I'm starting to really think this may be the best film of the century so far.

Disclosure Day (2026)*
I didn't really like the visual aesthetic of the film and I seriously thought the religious subplot was ham-fisted as hell. There were moments that worked for me, but overall, I just never felt the stakes the film seemed to think it was selling. Who knows, though... it might play better on future viewings with the absence of expectations.

Whisper of the Heart (1995)*
I knew absolutely nothing about this going in, other than it was a Studio Ghibli release. But man, what a lovely movie. Gorgeously animated and so good at capturing the budding development of a young person as they decide to become an artist. It really captures something about the maniacal condition that can overcome you when in the throes of artistic expression and creation and the mixed bag of feelings that can wash over you as you start to share your work and come up for air from the mania that fueled you.

A.I. Artificial Intelligence (2001)
The first and only previous time I saw this, I was a 21 year old film school kid who loved Kubrick and was feeling disenchanted with the whole Spielberg thing, so I was perhaps perfectly primed to just really not be into this, as excited as I was about the idea of it. But it just did not connect with me at the time, which is sort of bizarre in retrospect since I was also at the time really on a "Pinocchio is the best Disney movie because of how horrific it actually is" kick. And look, again, I was a 21yo film school kid, so I was certainly a bit pretentious in my tastes at the time (though I think also thoughtful in a lot of ways), but watching it now, I think I just was never going to get it at that age.
Now, as 1) a mid-40s parent of a young child, and 2) someone with a lot of apprehension about the state of the world, including both the emergence of something we at least call A.I. and our refusal to take seriously our stewardship of the planet, I certainly find more in the film to connect and reckon with. I wouldn't say I've totally turned around on it, mainly because I think some of the middle sections of the film are still pretty clunkily hit or miss, but I imagine I won't take another quarter century to give it another shot and see how it goes.

Belle (2021)*
Visually stunning, but the emotional pitch of it was a bit too much for me to connect with at times. And it felt longer than it was.

Buffalo '66 (1998)
Having seen this at the Angelika in my first week or so of living in New York to attend film school, this is a somewhat formative and revelatory film for me. As a result, any time I've gone to revisit it, I've been slightly nervous it won't hold up. But I still love it and find it to be an inspiring piece of work.

Funny Games (1998)*
OK, Michael, you magnificent bastard... you're right! I'm implicated! OK???

Toy Story 5 (2026)*
Saw this on Father's Day with my 4 year old, which is maybe the perfect way to have seen it.
If I have any gripe about it as a film (and this goes for the 4th one, too, as I recall), it's that I don't like that they literally box up most of the old toys and put them on a shelf to, I have to imagine to some degree, make things less unwieldy. I know some of the original voice cast has passed away, but it just feels way too convenient and truly, clunkily unmotivated by anything in the world of the story to just cut them from most of the runtime like they do.

The Game (1997)
I wonder how many takes Finchy made Michael Douglas do of pulling a key from a wooden clown's mouth...

Supergirl (2026)*
Milly Alcock is great as Supergirl, so I'm excited to see her hopefully show up plenty more in upcoming DC films. Overall, while I didn't find it quite as good as last year's Superman, I still had a lot of fun and expect to revisit it plenty in the future, just like a good comic book or comic book movie.

Maternal Instinct (2026)*
It's a brutal story. But while I understand what happened, I can't tell you exactly why it happened. I wish the film had found a way to dig deeper into whatever underlying issues Taylor has/had that led her down this terrible path.

The Cat Returns (2002)
I could honestly watch a whole series of movies with the Baron, Muta, and Toto going on adventures as the Cat Bureau – especially if they were still voiced by Cary Elwes, Peter Boyle, and Elliott Gould in the English dubs.

A History of Violence (2005)
The moment when Viggo subtly shows his true self is sublime, but on this two decade later rewatch, I have to say I never quite bought what was happening on either side of that. And maybe that's kind of the point – intellectually, I get it, but though it's pretty close to working on me, it just doesn't quite get there.

Moneyball (2011)
Sometimes, I just like to hang out with my baseball friends.

Also Seen:
- The Truman Show (1998)
- Lincoln (2012)
- KPop Demon Hunters (2025 - second viewing)
Current Favorite Films of 2026

Current Favorite Performances of 2026
- an asterisk (*) indicates a new addition since last month
Best Lead Female Actor:
- Inde Navarrette, Obsession
- Rachel McAdams, Send Help
- Anne Hathaway, Mother Mary
- Michaela Coel, Mother Mary
- Keke Palmer, I Love Boosters
- Margot Robbie, Wuthering Heights
Best Lead Male Actor:
- Ralph Fiennes, 28 Years Later: The Bone Temple
- Ryan Gosling, Project Hail Mary
- Dylan O'Brien, Send Help
- Ian McKellen, The Christophers
- Bill Skarsgård, Dead Man's Wire
- Robert Pattinson, The Drama
Best Supporting Female Actor:
- Sandra Hüller, Project Hail Mary
- Erin Kellyman, 28 Years Later: The Bone Temple
- Meryl Streep, The Devil Wears Prada 2
- Naomie Ackie, I Love Boosters
- Demi Moore, I Love Boosters
- Renate Reinsve, Backrooms
Best Supporting Male Actor:
- Jack O’Connell, 28 Years Later: The Bone Temple
- Jay McCarrol, Nirvanna the Band the Show the Movie
- Ben Affleck, The Rip
Current Favorite First Watches of 2026
Non-first run movies I saw for the first time this year...

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